Chan Sik Yu (Theseus) works between craft and contemporary art with a minimalist practice in ceramics, jewelry, and found objects. He probes personal emotion through material experiment, confronting negativity via self-inquiry and testing chance versus control in clay, glaze, and texture.​

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Influenced by Wabi Sabi, he privileges sensory experience over explanation, letting materials, forms, and scale rhythms invite quiet observation.

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Evolving from wearables to spatial narratives, he balances technical precision with emotional clarity. Shown at Collect Hong Kong 2025, L’ÉCOLE Asia Pacific’s 5th Anniversary, and Gem Genève 2023, he is moving toward clearer narrative readability in experimental ceramics.

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陳式愉以極簡為旨的實踐，融合陶瓷、飾品與現成物，藉此探尋個人情感與材料實驗。他透過自我提問直面負面情緒，同時在泥土、釉藥與紋理中考驗偶然與控制之間的關係。

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受侘寂美學中對不完美、無常與痕跡的讚頌所啟發，他將感官經驗置於明確闡釋之前，讓材質、形狀與尺度的節奏引導安靜的觀察。

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他的創作從可佩戴的作品逐步發展為空間敘事，在技術精準與情感清晰之間取得平衡。其作品曾於 Collect Hong Kong 2025、L’ÉCOLE Asia Pacific 五週年展及 Gem Genève 2023 展出，並以在實驗性陶藝中朝向更清晰的敘事可讀性為目標。